{"title":"Design I Craft","description":"","products":[{"product_id":"nasa-graphic-design-guide-jesse-reed","title":"Nasa - Graphic Design Guide \/ Jesse Reed","description":"\u003cp\u003eThe binder containing NASA's visual identity guidelines is a strange object. This original visual communications system designed and augmented by Richard Danne and Bruce Blackburn from 1975 on, was rescinded in 1992. It has resurfaced on the internet these last years in blogs, and was made available to the public by NASA as a PDF document before being reprinted in an expanded deluxe edition by Jesse Reed and Hamish Smyth in 2015. 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A core member of the experimental approach to textiles at the Bauhaus, she was also a female entrepreneur in the frenzied time that was the early 1930s in Berlin. Working closely with architects of the New Objectivity movement such as Lilly Reich, Ludwig Hilberseimer and Hans Scharoun, she designed upholstery and wall tapestries, curtains and floor coverings that responded to novel types of use and production methods, and thereby redefined the relationship between aesthetics and function―with fascinating results. To date Berger’s textile work has only been explored in fragments. This book is the first comprehensive study of its complexity and beauty and makes her hitherto unpublished treatise on fabrics and the methodology of textile production accessible. Raum’s research offers an entirely new perspective on Berger’s oeuvre.\u003c\/p\u003e\u003cp\u003eOTTI BERGER (1898–1944) was one of the most important textile designers of the 20th century. 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Notes on an Archaeology of Design \/ Beatriz Colomina, Mark Wigley","description":"\u003cdiv class=\"product-book__description--full\"\u003e\n\u003cdiv class=\"clearfix text-formatted field field--name-field-book-info-en field--type-text-long field--label-hidden field__item\"\u003e\n\u003cp\u003e\u003cem\u003eThe question Are We Human?\u003c\/em\u003e is both urgent and ancient. Beatriz Colomina and Mark Wigley offer a multi-layered exploration of the intimate relationship between human and design and rethink the philosophy of design in a multi-dimensional exploration from the very first tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. 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It becomes the way humans ask questions and thereby continuously redesign themselves.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-book__special-note\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Lars Müller Publishers","offers":[{"title":"Default Title","offer_id":53047731355991,"sku":"9783037785119","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/are.jpg?v=1782315379"},{"product_id":"a-way-of-life-notes-on-ballenberg-rolf-fehlbaum-jasper-morrison-david-saik-tsuyoshi-tane-beatrice-tobler","title":"A Way of Life. Notes on Ballenberg \/ Jasper Morrison, David Saik, Tsuyoshi Tane, Federica Zanco","description":"\u003cp\u003eBallenberg is a Swiss open-air museum. It gathers over a hundred houses and the living world of the rural population from the 14th to the 19th century. 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Dem Glossary of Undisciplined Design liegt eine dezidiert fragmentarische und kollektive Herangehensweise zugrunde. Es kombiniert so eine Vielzahl von Theorien und Erzählungen – vom visuellen Essay, praktischen Experiment, Interview oder Advertorial bis hin zu Gedicht, spekulativer Erzählung und akademischem Schreiben. Mit rund 55 Beiträgen von 20 internationalen Designern:innen, Aktivisten:innen, Pädagogen:innen und Theoretikern:innen erforscht das GUD-Handbuch Vorreiter:innen, Werkzeuge und Widerspruch. Mit Beiträgen von: Clara Balaguer, Sheila Levrant de Bretteville, Ece Canlı, Hackers \u0026amp; Designers, Markus Dreßen, Sara Kaaman, Anja Kaiser, Jungmyung Lee, Vincent Schier, Rebecca Stephany, Franciska Zólyom, Studierende der Staatlichen Hochschule für Gestaltung Karlsruhe, u. a. Glossary of Undisciplined Design, ist eine gemeinschaftliche Initiative der beiden Designerinnen und Pädagoginnen Anja Kaiser und Rebecca Stephany. Anja Kaiser bewegt sich in feministischen Kontexten und in Szenen der Klubkultur, wo sie nach Freiräumen für widerständige Mitgestaltung sucht. Rebecca Stephany’s polyphone kulturelle Praxis nährt sich aus intersektionaler Gesellschaftskritik, undisziplinierten Forschungsinstrumenten und wilder Lust am Bild. – D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs – the Glossary of Undisciplined Design looks into undisciplinarity as a feminist unpacking of the field of graphic design, of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, the GUD handbook combines a multitude of theories and narratives of varying densities – from visual essay, hands-on experiment, interview or advertorial, to poem, speculative tale and academic writing. 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Elle retrace sa \u003c\/span\u003e\u003c\/span\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003etrilogie sculpturale \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e\u003cspan dir=\"auto\"\u003eOríkì : \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan dir=\"auto\"\u003e\u003ci\u003e\u003cspan\u003eActe I : Friction Ridge\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e , \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eActe II : Tales by Moonlight\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e et \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eActe III : Whispers of a Trail\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e , explorant respectivement le bronze, l’aluminium et le cuivre. 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Intitulé \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eOríkì\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e en référence à la poésie de louange yoruba, le livre inclut l’oríkì personnel de Nifemi\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e,\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e composé par sa mère, Folake Marcus-Bello, ainsi qu’un essai retraçant son parcours artistique de l’enfance à nos jours. \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eOríkì : Affirmations matérielles en trois actes\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e présente \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003edes portraits en couleur\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e de la série, ainsi qu’un journal photographique du \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eprocessus créatif et des archives personnelles\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e . Cet ouvrage dévoile l’inspiration et le parcours personnel qui ont conduit Nifemi à créer des œuvres primées, incarnant son dialogue constant entre \u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ematérialité et identité.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan dir=\"auto\"\u003eNifemi Marcus-Bello est un designer industriel et artiste basé à Lagos, dont le travail s'appuie sur l'humilité, le contexte culturel et une approche novatrice axée sur le processus. Son œuvre, à la croisée du design commercial et artistique, puise dans les traditions africaines pour créer des objets intuitifs, fonctionnels et profondément ancrés dans leur environnement. Ses créations figurent dans de grandes institutions telles que le MoMA, le LACMA et le Design Museum de Londres.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan dir=\"auto\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Apartamento Publishing S.L.v","offers":[{"title":"Default Title","offer_id":53156018258263,"sku":"9788409767175","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9788409767175.jpg?v=1774862801"},{"product_id":"happy-victims-kyoichi-tsuzuki","title":"Happy Victims \/ Kyoichi Tsuzuki","description":"\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eBetween 1999 and 2006, before fast fashion and social media changed the world forever,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKyoichi Tsuzuki\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epublished\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e87 instalments of his Happy Victims series\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the fashion magazine\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eRyuko Tsushin\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e. In cramped quarters across Tokyo, these anonymous disciples joyously detailed the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eritual and the sacrifice of their brand-name obsessions\u003c\/strong\u003e. A Buddhist monk with a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eComme des Garçons\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshopping habit, an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlexander McQueen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecollector listening to neighbours through paper-thin walls—photographed at home, their collections before them, Kyoichi’s anti-heroes exist in parallel to the fashion universe of fame, fantasy, and glamour.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eHappy Victims\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003ewas first published in book form in 2008. Long out of print, this edition follows\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eApartamento’s reissue of Kyoichi’s earlier seminal work,\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-contrast=\"none\"\u003e\u003cem\u003eTokyo Style\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.apartamentomagazine.com\/product\/tokyo-style-kyoichi-tsuzuki-book\/\"\u003e\u003cstrong\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-contrast=\"auto\"\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW157767869 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW157767869 BCX0\"\u003eThe new hardcover design comes with an updated foreword by the author, Japanese photographer Kyoichi Tsuzuki, and an introduction by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIsabella Burley of Climax Books\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW81612969 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eWhile the cover and belly band have been completely reworked, in collaboration with designer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHan Gao\u003c\/strong\u003e, the book’s interior\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003emaintains\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ea simple, documental format:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eone happy victim per spread\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eKyoichi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003e’s photos supplemented by a short commentary on the individual and his or her daily schedule.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eN\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eot\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003etypically\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003emembers of the leisure class, the goths, Lolitas, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003estringent Margiela fans\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emust also go to work and find time to care for their clothes. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003eAbout \u003cmeta charset=\"utf-8\"\u003eKyoichi Tsuzuki\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props=\"{}\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eA Tokyo native, Kyoichi Tsuzuki is an award-winning photographer and a former editor at such iconic publications as\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003ePopeye\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eBrutus\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e. He received the 1996 Ihei Kimura Award for his first photography exhibition,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eRoadside Japan\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, and has since shown work at the White Cube Gallery, London, MUDAM Luxembourg, Galerie Da-End, and more. Kyoichi is also the author of \u003cem\u003eTokyo Style\u003c\/em\u003e, \u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ea cult classic reissued by Apartamento in 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003eAbout Isabella Burley\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props=\"{}\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eIsabella Burley founded Climax Books in London in 2020 as a home for rare editions, adding a New York outpost in 2024. At 17, she started on the shop floor of Dover Street Market with Comme des Garçons, then later served as editor-in-chief for\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eDazed \u0026amp; Confused\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003efrom 2015 to 2021. Additional appointments include Helmut Lang and Acne Studios.\u003c\/span\u003e\u003c\/p\u003e","brand":"Apartamento Publishing S.L.v","offers":[{"title":"Default Title","offer_id":53156018159959,"sku":"9788409732692","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9788409732692.jpg?v=1774862801"},{"product_id":"anni-albers-abstractions-concretes-une-histoire-textile-de-la-modernite-ida-soulard","title":"Anni Albers : abstractions concrètes: Une histoire textile de la modernité \/ Ida Soulard","description":"\u003cp\u003eNée à Berlin en 1899, Anni Albers, artiste, designer et éducatrice, s'est rapidement heurtée aux préjugés de genre qui régnaient dans l'Allemagne des années 1920. Pourtant, elle sut tirer parti de toutes les contraintes pour en faire une force au service de la construction d'un art qu'elle rêvait intemporel. Entre deux continents et deux modernités, du Bauhaus, en Allemagne, au Black Mountain College aux États-Unis, elle a révolutionné l'art du tissage et redéfini les frontières entre l'art et le design. Encore liées, au début du XXe siècle au travail des femmes et à ce qu'on pourrait nommer une « sensibilité féminine », artisanat domestique, art d'ameublement, d'ornement et de surface, les pratiques de tissage reposent sur des systèmes de règles et de codes. Anni Albers invente un langage tactile-textile, abstrait, fonctionnel et sensuel, échappant aux classifications traditionnelles.\u003cbr\u003eCette première monographie d'ampleur consacrée à l'œuvre textile d'Anni Albers apporte un point de vue nouveau sur une histoire de l'art moderne au prisme des créations et pratiques textiles. Pourquoi s'intéresser aujourd'hui à cette histoire moderne des formes textiles ? Précisément parce qu'à une époque de profondes transformations culturelles elles offrent une multiplicité de bifurcations possibles et de chemins historiques non empruntés. À la fois portrait détaillé d'une artiste majeure du XXe siècle et essai dense et charpenté, ce livre constitue une porte d'entrée essentielle pour quiconque souhaite explorer l'univers fascinant d'Anni Albers, sa contribution à l'art et au design moderne, et la richesse de son héritage artistique.\u003c\/p\u003e","brand":"Presses du Réel","offers":[{"title":"Default Title","offer_id":53162843308375,"sku":"9782378964467","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/IMG_8725.jpg?v=1784302135"},{"product_id":"renouveler-la-ville-depuis-linterieur-line-fontana-david-fagart-dimitri-djuric","title":"Renouveler la ville depuis l'intérieur \/ Line Fontana, David Fagart, Dimitri Djuric","description":"\u003cp\u003eQuel rôle peuvent recouvrir les intérieurs dans l'adaptation aux mutations rapides des modes de vie des habitants de nos villes ? Issu d'un projet d'étude réalisé au sein de l'Haute École d'art et de design de Genève (HEAD), Renouveler la ville depuis l'intérieur formule des alternatives au modèle du développement urbain centré sur l'expansion du bâti, en proposant des scénarios de renouvellement, depuis l'intérieur, des logements collectifs existants à Genève.\u003c\/p\u003e\n\u003cp\u003eEn analysant un échantillon d'immeubles de logements collectifs issus des trois grandes périodes du développement de la ville, la publication développe des scénarios visant à adapter ces typologies à un mode de vie convivial et mixte, fondé sur des principes de solidarité, d'hospitalité et de partage. À l'heure où la famille nucléaire n'est plus le modèle unique et où les frontières entre lieux de vie et de travail sont devenues poreuses, les architectes de l'agence Fagart \u0026amp; Fontana souhaitent contribuer à la réflexion sur la capacité de la ville à se renouveler sur elle-même, en faisant prendre conscience qu'il existe un territoire de projet à investir pour repenser le logement contemporain.\u003c\/p\u003e","brand":"Caryatide","offers":[{"title":"Default Title","offer_id":53162843636055,"sku":"9782493283146","price":46.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782493283146.jpg?v=1774888784"},{"product_id":"vers-une-ecologie-critique-environnement-et-ideologie-tomas-maldonado-raimonda-riccini-pierfrancesco-califano-emanuele-quinz-catherine-geel","title":"Vers une écologie critique: Environnement et idéologie \/ Tomas Maldonado","description":"\u003cp\u003ePublié en 1970 et rapidement traduit en plusieurs langues, cet ouvrage constitue un jalon majeur dans l'histoire du design. 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By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":53162846585175,"sku":"9783956791437","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9783956791437.jpg?v=1774888832"},{"product_id":"architettura-attenuata-ettore-sottsass","title":"Architettura Attenuata, Ettore Sottsass","description":"\u003cp\u003eEttore Sottsass (1917–2007) was an architect and designer, labeled the godfather of Italian design. 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Ces objets relèvent d'une posture que les designers anglais Anthony Dunne et Fiona Raby ont défini Critical Design (design critique) : un design spéculatif, réflexif, qui ne veut pas proposer des solutions, mais plutôt poser des questions, qui veut défier les affirmations rapides, les préjugés et lieux communs sur le rôle des produits dans la vie de tous les jours. Un design qui ne se veut pas affirmatif, c'est-à-dire soumis aux impératifs des systèmes de pouvoir, mais au contraire critique.\u003cbr\u003eA partir de ces quatre moments saillants que sont le design radical italien de la fin des années 1960 et 1970, le design conceptuel néerlandais des années 1990, le critical design anglais des années 2000 et enfin la scène contemporaine, notamment en France, cet ouvrage montre comment ce strange design n'est pas tant un style qu'une posture critique qui ne cesse d'irriguer le champ du design.\u003cbr\u003eNouvelle édition de l'ouvrage publié par it: éditions en 2014 (ISBN 978-2-917053-18-8).\u003c\/p\u003e","brand":"Presses du Réel","offers":[{"title":"Default Title","offer_id":53162846519639,"sku":"9782378964979","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782378964979.jpg?v=1774888831"},{"product_id":"ecodesign-et-creation-n-02-produire-caroline-dupre-jerome-meudic","title":"Écodesign et Création n° 02: Produire \/ Caroline Dupré, Jérôme Meudic","description":"\u003cp\u003eCe second volume de la publication de la Chaire Écodesign \u0026amp; Création retrace une grande diversité d'approches, aussi bien en termes de secteurs que de niveau d'étude et de formats, mobilisés au service d'une même question : comment produire au mieux en conciliant ces différents points de vue ? Comment introduire de la décence dans la production, à l'heure où celle-ci tend plutôt vers une certaine forme d'indécence ?\u003cbr\u003eLa production est une notion totale, en ceci qu'elle engage toutes les dimensions de l'existence : technique, politique, sociale, économique, écologique, morale, esthétique. Elle est aussi une notion première, dans le sens où tout commence avec elle. Deux axes principaux ont rythmé cette année : d'un côté, réinventer des produits-phares de chez Decathlon avec le souci constant de concilier faible impact environnemental, performance, désirabilité et durabilité et développement, et de l'autre, formuler des propositions prospectives et transversales pour répondre aux défis de la complexité et de l'incertitude.\u003c\/p\u003e","brand":"Ensad 75","offers":[{"title":"Default Title","offer_id":53162846880087,"sku":"9782905710680","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/108694_ENSAD_VOLUME2_BD_1.jpg?v=1777580795"},{"product_id":"costumes-enquete-sur-le-vetement-lhabit-la-parure-dans-le-fonds-de-livres-anciens-de-lisdat-valerie-vernet-anne-jourdain","title":"Costumes: Enquête sur le vêtement, l'habit, la parure dans le fonds de livres anciens de l'isdaT, Valérie Vernet, Anne Jourdain","description":"\u003cp\u003ePour cette publication, qui fait suite à Formes et couleurs, Valérie Vernet et Anne Jourdain ont axé leur choix sur la représentation des vêtements, parures, habits de « tous les temps et de tous les pays », dessinés et gravés en noir ou en couleur. Source d'inspiration formelle, source de réflexion sur la conception historique occidentale des « anciens peuples », les graphistes de Stéréo Buro et le photographe Jules Séverac ont donné vie à cette nouvelle suite iconographique.\u003c\/p\u003e","brand":"Institut superieur des arts et du design de Toulouse","offers":[{"title":"Default Title","offer_id":53162846978391,"sku":"9782356990617","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782356990617.jpg?v=1774888833"},{"product_id":"global-tools-1973-1975-eco-design-de-projet-low-tech-nathalie-bruyere-catherine-geel-victor-petit","title":"Global Tools (1973-1975): Eco-Design : Dé-projet \u0026 Low-Tech, Nathalie Bruyère, Catherine Geel, Victor Petit","description":"\u003cp\u003eAu travers d'archives inédites, ce livre analyse en profondeur les toutes premières traductions françaises des deux bulletins de Global Tools, les entretiens exclusifs d'Andrea Branzi, Gaetano Pesce, Gianni Pettena, Ugo La Pietra, Alessandro Mendini et deux écrits qui dialogue, l'un de Paolo Deganello et l'autre de Franco Raggi.\u003cbr\u003eCe dernier présent Global Tools ainsi : « Ceux qui ont fondé ou participé à la Global Tools s'intéressaient à la construction d'un programme d'activités de recherche éducative et productive qui partait d'en bas, dans le but théorique de libérer la créativité individuelle des superstructures culturelles qui empêchaient ou ralentissaient la capacité d'expression, selon l'hypothèse de travail libre, anarchiste (mais organisé), d'expérimentations dans le domaine du design, du vivre et du construire... La tentative fut aussi de revenir à une sorte de \"condition primaire\" de fabrication qui impliquait les \"outils\" individuels, les premiers ustensiles à notre disposition permettant d'interagir avec le monde extérieur comme les mains, les pieds, les sens, le corps, et leur perception. Parmi les sujets abordés, il y avait aussi une série de sujets qui venaient de l'expérience des groupes anarchistes américains, anglais et autrichiens. Nous avons condensé une tendance très généralisée et omniprésente, bien que souterraine. Une recherche expérimentale et expressive associée à une anti rhétorique du projet et une quasi-annulation de la pratique de conception canonique pour concevoir sa guérison grâce à une \"auto-thérapie\". »\u003c\/p\u003e","brand":"Institut supérieur des arts et du design de Toulouse","offers":[{"title":"Default Title","offer_id":53162846912855,"sku":"9782356990594","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782356990594.jpg?v=1774888833"},{"product_id":"tools-n-05-tourner-clementine-berry","title":"Tools n° 05: Tourner \/ Clémentine Berry","description":"\u003cp\u003eLe cinquième numéro de la revue annuelle qui s'attache à valoriser les savoir-faire et la technique dans le design, l'artisanat ou l'industrie, se penche sur le geste de tourner.\u003c\/p\u003e","brand":"Tools Magazine","offers":[{"title":"Default Title","offer_id":53162849173847,"sku":"9782957876976","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782957876976.jpg?v=1774888884"},{"product_id":"david-dubois-en-mouvement-david-dubois-jeanne-queheillard","title":"David Dubois en mouvement,, David Dubois, Jeanne Quéheillard","description":"\u003cp\u003eDavid Dubois développe des expérimentations, entre mode, art et design. Il aime se mettre à disposition d'une demande dans une énergie partagée. « Les formes convoquées se font souvent en s'associant avec d'autres artistes, performeurs, vidéastes, éditeurs... Les trouvailles sont réjouissantes. La part du jeu, toujours » note la critique Jeanne Quéheillard dans son texte introductif. Faire avec ce qu'il y a, se jouer des contraintes et réinventer les fonctions amènent David Dubois à combiner, recycler, adapter l'usage des objets de façon inattendue et novatrice.\u003cbr\u003eL'histoire de Saint-Étienne se confond avec celle de la modernité industrielle. Il existe aujourd'hui sur ce territoire un réseau dense d'entreprises dotées de savoir-faire et prêtes à rencontrer le design. La Cité du design-Ésad Saint-Etienne est un lieu unique, dépositaire de la légitimité nécessaire pour faciliter ce dialogue autour d'une expérimentation inédite porteuse d'innovation future. Dans le cadre de Présent \u0026gt;David Dubois (né en 1971 à Dinan) est à la croisée de pratiques, nourrissant des liens avec le design, l'art contemporain, le graphisme, la mode ou la danse. Après dix ans d'activité artistique, David Dubois a repris en 2000, des études de design à l'ENSCI-Les Ateliers. Il est encore étudiant quand il fait la connaissance de Désirée Heiss et Inès Kaag, créatrices du label de mode  BLESS avec lesquelles il entame une longue collaboration (design d'objets, graphisme, scénographies) jusqu'en 2010. En 2006, il rejoint la galerie kreo pour développer des projets d'éditions limitées, de mises en espace (tels les concept stores Christian Lacroix à New-York, Las Vegas…) ainsi que des objets plus industriels (Kronenbourg, Lalique...). La Villa Noailles, centre d'art à Hyères, sera pour lui, un terrain d'expression privilégié de 2004 à 2011 où il enchaîne expositions, scénographies, aménagements pérennes à l'instar des salles consacrées à Charles et Marie-Laure de Noailles.\u003cbr\u003eSes liens sont étroits avec les arts vivants, notamment les chorégraphes Christian Rizzo et Fanny de Chaillé. Il a également développé des projets pour le Mudam au Luxembourg, le Palais de Tokyo et la Kadist Art Foundation à Paris, la Villa Arson à Nice, le Centre International de Recherche sur le Verre et les Arts plastiques (CIRVA) à Marseille, le Centre International d'Art Verrier (CIAV) à Meisenthal. Il a travaillé avec les galeries Semiose, MICA, FR66, 8+4 \/ Bernard Chauveau, Minimasterpiece et A1043. Ses pièces sont présentes dans les collections du FNAC (Fonds Na\u003c\/p\u003e","brand":"EPCC Cité du design","offers":[{"title":"Default Title","offer_id":53162849272151,"sku":"9782492621352","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782492621352.jpg?v=1774888884"},{"product_id":"ursula-schulz-dornburg-huts-temples-castles-ursula-schulz-dornburg","title":"HUTS, TEMPLES, CASTLES \/ Ursula Schulz-Dornburg","description":"\u003cp\u003e\"In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Located on an island accessible only by rowboat, Jongensland grew into a sprawling settlement built experimentally from scrap materials by its young inhabitants. Here, children would cook food, raise animals, build fires, and trade with each other. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity. In 1969, when the architectural photographer Ursula Schulz-Dornburg moved to Düsseldorf with her two young children, she discovered Jongensland the other side of the border from Germany’s strictly regulated playgrounds. Fascinated by the improvised buildings where her children would play, she made extensive photographs capturing them being constructed, used, demolished, and reshaped. Her images capture an intuitive architectural intelligence at work and catalogue a genre of vernacular construction with its own conventions and innovations, one which illuminates the role of imagination in defining a building’s identity and purpose. This book presents Schulz-Dornburg’s largely unpublished and unexhibited series alongside an extended conversation between the photographer and architectural historian Tom Wilkinson reflecting on the architectural themes and lessons the project continues to offer.\"\u003c\/p\u003e","brand":"Mack","offers":[{"title":"Default Title","offer_id":53162956423511,"sku":"9781913620820","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9781913620820.jpg?v=1774891384"},{"product_id":"a-dictionary-of-color-combinations-vol-1-various","title":"A Dictionary Of Color Combinations Vol 1, Various","description":"\u003cp\u003eSanzo Wada (1883-1967) was an artist, teacher, costume and kimono designer during a turbulent time in avant-garde Japanese art and cinema. Wada was ahead of his time in developing traditional and Western influenced colour combinations, helping to lay the foundations for contemporary colour research. Based on his original 6-volume work from the 1930s, this book offers 348 color combinations, as attractive and sensuous as the books own design.\u003c\/p\u003e","brand":"Seigensha","offers":[{"title":"Default Title","offer_id":53166777663831,"sku":"9784861522475","price":19.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9784861522475.jpg?v=1774951392"},{"product_id":"nothing-about-interior-architecture-javier-contreras","title":"Nothing About Interior Architecture \/ Javier Fernández Contreras, Youri Kravtchenko, Julie Enckell Julliard (eds.)","description":"\u003cp\u003eOften\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003edissident,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003esometimes adherent,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eNothing About\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eis, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e–\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eif we can call it that\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e–\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003edisplays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eand\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eoften regarded as futile, even though it could nonetheless destroy the most beautiful of insides.\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eThis book brings together a variety of intellectual tools and\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003einsights\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e–\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003epolysemic and ambiguous, bespoke and improvised, ornamental\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eand criminal,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003espanning\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003emedia, technology,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003ethe arts\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eand other,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eoften undefined fields\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e–\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003ethat analyze\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003ethe\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eimpact\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eof the discipline\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eon\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003econtemporary design. In the end, what makes\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eNothing About\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003echarming is that this inside\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e–\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003einsofar as it is still defined as such\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e–\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003ehas only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIntroduction by Javier Fernández Contreras. Text contributions by Daniel Zamarbide, Line Fontana \u0026amp; David Fagart, Valentin Dubois \u0026amp; Bertrand Van Dorp, Camille Bagnoud \u0026amp; Ahmed Belkhodja, Javier F. Contreras \u0026amp; Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003ePhotos © Set Margins'\u003c\/p\u003e","brand":"Set Margins' publications","offers":[{"title":"Default Title","offer_id":53166779072855,"sku":"9789083532530","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9789083532530.jpg?v=1774951397"},{"product_id":"constellations-sophie-cure-aurelien-farina","title":"Constellations, Sophie Cure, Aurélien Farina","description":"\u003cp\u003eLes carnets à jouer forment une collection de carnets de notes, de dessins et de jeux graphiques. À travers des propositions simples (points à relier, grilles à colorier, etc.), ils abordent des thématiques propres au design graphique, dans la lignée du Cahier d’exploration graphique dont ils constituent des prolongements directs : de l’exercice unique, onxpasse à la série, à la variation. Ces carnets permettent d’explorer les jeux plus en profondeur, d’essayer, tester, rater pour mieux recommencer. Constellations aborde la question du dessin decaractère, en reprenant un principe de jeu canonique : « les points à relier ». Au fil des pages, ils’agit de relier pour lire. Point à point, lettre à lettre, page à page, se dessine une phrase cachée dans ces constellations typographiques. Ces dernières ont été réalisées à partir des points d’ancrage exacts utilisés par les dessinateurs des différents caractères utilisés. Par ce simple « jeu d’enfant », l’anatomie et la genèse de ces créations typographiques sont ainsi rendues visibles.\u003c\/p\u003e","brand":"B 42","offers":[{"title":"Default Title","offer_id":53167089516887,"sku":"9782490077816","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782490077816.jpg?v=1774954111"},{"product_id":"olivetti-identities-spaces-and-languages-1933-1983-davide-fornari-davide-turrini","title":"Olivetti Identities: Spaces and Languages 1933–1983, Davide Fornari, Davide Turrini","description":"\u003cp\u003eDie Schreibmaschinenklassiker sind der bekannteste Ausdruck des industriellen Vermächtnisses von Olivetti, deren sichtbare Identität sowohl innovativ als auch komplex, materiell und immateriell war. Diese Identitäten stehen im Mittelpunkt eines interdisziplinären Forschungsprojekts, das von der ECAL und der Università degli Studi di Ferrara in Zusammenarbeit mit der Vereinigung für die historischen Archive von Olivetti in Ivrea durchgeführt wurde. 36 Autorinnen und Autoren sind an der Publikation beteiligt. «Olivetti Identities. Spaces and Languages 1933–1983» präsentiert die Ergebnisse dieser Forschung mit dem Ziel, das Olivetti-Phänomen als Ganzes zu analysieren und dabei besonderes Augenmerk auf den Kontext der Unternehmensentwicklung und die Ansätze von Designern wie Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante, Walter Ballmer u. a. zu legen. Dies reicht von der Einrichtung des Olivetti-Werbebüros 1933 bis zur Eröffnung des permanenten Olivetti-Pavillons auf der Hannover Messe 1983, der als letzter Schritt in einer besonders effizienten Strategie der Corporate Identity gedacht war. Das Buch ist in vier Abschnitte unterteilt, die sich mit der Gestaltung von Showrooms, der Ausstellungsgestaltung von Messen und Expos, der Analyse von Sprachen, die das Unternehmensvokabular sowie die visuelle Kommunikation und das Interaktionsdesign geprägt haben, sowie Aktivitäten im kulturellen Umfeld und Werbemassnahmen befassen. In einem letzten Abschnitt werden die Zeugnisse der Designer Santiago Miranda und George Sowden sowie ehemaliger Mitarbeiter von Olivetti in Vertrieb und Schulung zusammengefasst. Zwei Bildessays mit teils unveröffentlichten Dokumenten, die im historischen Archiv von Olivetti aufbewahrt werden, ergänzen den Inhalt. 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Elle demande de la créativité et de l'amour», affirme Anna Heringer. Sa vision fait mouche, comme en témoignent des amphithéâtres pleins, des prix internationaux (dont l’Aga Kahn Award en 2007 et l’OBEL AWARD en 2020), une invitation au TED Talk 2017 ainsi que de nombreuses expositions: MoMA à New York, MAM à São Paulo, Biennale de Venise, etc.\u003c\/p\u003e\u003cp\u003eDans Form Follows Love, Anna Heringer raconte à l'auteure Dominique Gauzin-Müller son parcours d'architecte : ses études, la rencontre avec le spécialiste du pisé Martin Rauch, sa pratique dans le Sud global et ses projets actuels en Europe. Elle partage avec nous le constat que la terre crue est non seulement un matériau respectueux de l'environnement, mais aussi que sa mise en œuvre dans les bâtiments initie des processus réparateurs au sein de la société.\u003c\/p\u003e\u003cp\u003eDans ce texte essentiel, l'architecte allemande Anna Heringer, spécialiste de la construction en terre crue, raconte à la fois:\u003c\/p\u003e\u003cp\u003e * comment l'architecture peut avoir une influence positive sur la société et sur l'environnement\u003cbr\u003e * comment construire avec des ressources locales préserve l'équilibre écologique.\u003cbr\u003e * Disponible en français, allemand et anglais\u003c\/p\u003e\u003cp\u003eAccording to Anna Heringer, \"Beauty has nothing to do with money or finance, but everything to do with creativity and love\". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL AWARD, exhibitions at MoMA, MAM São Paulo, and the Venice Biennale.\u003c\/p\u003e\u003cp\u003eIn Form Follows Love, Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North.\u003c\/p\u003e\u003cp\u003eShe shares with us the insight that clay is not only an environmentally friendly material, but in the best cases it can even trigger socially beneficial processes.\u003c\/p\u003e","brand":"Birkhäuser","offers":[{"title":"Default Title","offer_id":53181579690327,"sku":"9783035628876","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9783035628876.jpg?v=1775061934"},{"product_id":"colors-diskursiv-no-2-diskursiv","title":"Colors - Diskursiv No. 2","description":"\u003cp\u003eColor has always been a powerful tool in architecture: it can influence perceptions of space and form, convey meaning and intention and guide the viewer’s sensory experience. However, it has lost importance in contemporary architectural practice and teaching.\u003cbr\u003eCompiled by the Graz-based research collective Diskursiv, this volume explores the discipline’s shifting attitudes toward color and its use by architects today. Approaching the topic on a theoretical level, the contributors stress color’s potential impact and make an impassioned case for its return to building discourse. Against the dogma of the universal white box, they advocate for color’s rediscovery as a central instrument of architectural practice.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe second volume by the Graz architectural research association Diskursiv\u003c\/li\u003e\n\u003cli\u003eConsiders the positions, approaches, and working methods of various architecture offices with regard to color and colorfulness\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv aria-roledescription=\"format\"\u003eSoftcover\u003c\/div\u003e\n\u003cdiv aria-roledescription=\"dimensions\" class=\"ng-star-inserted\"\u003e12 × 18 cm\u003c\/div\u003e\n\u003cdiv class=\"ng-star-inserted\"\u003e\n\u003cspan aria-roledescription=\"pages\" class=\"ng-star-inserted\"\u003e384 pages\u003c\/span\u003e\u003cspan class=\"ng-star-inserted\"\u003e, 302 col. and b\/w illustrations\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv aria-roledescription=\"language\" class=\"ng-star-inserted\"\u003e\u003cspan class=\"ng-star-inserted\"\u003eEnglish\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv aria-roledescription=\"ISBN\"\u003eISBN 978-3-98612-136-5\u003c\/div\u003e\n\u003cdiv aria-roledescription=\"releaseDate\"\u003e12\/2024\u003c\/div\u003e\n\u003cdiv aria-roledescription=\"releaseDate\"\u003e\u003c\/div\u003e","brand":"Jovis","offers":[{"title":"Default Title","offer_id":53181580280151,"sku":"9783986121365","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9783986121365.jpg?v=1775061935"},{"product_id":"fabrice-samyn-i-am-vinciane-despret-pascal-rousseau","title":"Fabrice Samyn: I am (EN) \/ Vinciane Despret, Pascal Rousseau","description":"\u003cp\u003eThis publication is the first major monograph on the work of the Belgian artist Fabrice Samyn (born 1981). It is organised in various sets of analogies (form, sign, theme), and gives the measure of a work structured as a tree around the question of identity. It thrives in a space which includes diversities and dualities. In it we mainly discover the dualities between icon and idol, light and shade, presence and duration, male and female, author and impostor. Although Samyn's oeuvre developed at the same time as the internet and follows a similar organic growth, it gives full credit to skill and materiality. The artist either seeks close collaboration with craftsman or rises to the challenge of mastering the various media that he uses himself, be it painting, sculpture, poetry and more recently choreography. This copiously illustrated volume contains essays by Vinciane Despret, philosopher of sciences and professor at the University of Liege; Pascal Rousseau, professor of Contemporary Art History at Paris 1, and art historian Wivine de Traux.\u003c\/p\u003e","brand":"Exhibitions International","offers":[{"title":"Default Title","offer_id":53181767287127,"sku":"9789462302075","price":49.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/fa1-900x800.jpg?v=1778364411"},{"product_id":"fabrice-samyn-i-am-f-despret-vinciane-rousseau-pascal-de-trau","title":"Fabrice Samyn - I am (F) \/ DESPRET VINCIANE, ROUSSEAU PASCAL, DE TRAU","description":"\u003cp\u003eCet ouvrage constitue la première monographie consacrée à l'artiste belge Fabrice Samyn (b. 1981). Organisée par différents jeux d'analogies (forme, signe, thème), elle permet de saisir la mesure d'une œuvre qui s'articule sous la forme d'un rhizome autour de la question de l'identité. Elle s'épanouit dans une espace inclusif des diversités et des dualités. Nous y retrouvons principalement les rapports duels entretenus entre icone et idole, ombre et lumière, présence et durée, mâle et femelle, auteur et im\u003c\/p\u003e","brand":"Mercatorfonds","offers":[{"title":"Default Title","offer_id":53181767352663,"sku":"9789462301986","price":49.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9789462301986.jpg?v=1775062378"}],"url":"https:\/\/corpusbookshop.com\/collections\/design.oembed","provider":"corpus bookshop","version":"1.0","type":"link"}