{"title":"Textile Design","description":"","products":[{"product_id":"the-office-camille-bidault-waddington-martin-bethenod","title":"The Office \/ Camille Bidault-Waddington, Martin Bethenod","description":"\u003cp\u003eDans The Office, la styliste Camille Bidault-Waddington utilise son iPhone pour documenter le travail de la photographie de mode, capturant le processus derrière « l'image finale ».  \u003cbr\u003e\u003cbr\u003eDepuis 2015, Camille Bidault-Waddington a immortalisé près de deux cents photographes au travail. Façonnées par le regard de la styliste, les images de Bidault-Waddington révèlent un travail collaboratif explorant le geste et le travail invisible qui définit la photographie de mode. En compagnie de l'artiste et ses interprétations des mondes qu'il découvre, contemple ou fantasme.\u003c\/p\u003e","brand":"Empire","offers":[{"title":"Default Title","offer_id":53023746556247,"sku":"9791095991823","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/office.jpg?v=1783420297"},{"product_id":"otti-berger-weaving-for-modernist-architecture-judith-raum-bauhaus-archiv-berlin-museum-fur-gestaltung-esther-cleven-magdalena-droste-tanya-harrod-juliet-kinchin-corinna-rader-katja-stelz-lamm-kirch-uta-neumann","title":"Otti Berger: Weaving for Modernist Architecture \/ Judith Raum","description":"\u003cp\u003eOtti Berger created fabrics that fundamentally changed the understanding of what textiles could be and do. A core member of the experimental approach to textiles at the Bauhaus, she was also a female entrepreneur in the frenzied time that was the early 1930s in Berlin. Working closely with architects of the New Objectivity movement such as Lilly Reich, Ludwig Hilberseimer and Hans Scharoun, she designed upholstery and wall tapestries, curtains and floor coverings that responded to novel types of use and production methods, and thereby redefined the relationship between aesthetics and function―with fascinating results. To date Berger’s textile work has only been explored in fragments. This book is the first comprehensive study of its complexity and beauty and makes her hitherto unpublished treatise on fabrics and the methodology of textile production accessible. Raum’s research offers an entirely new perspective on Berger’s oeuvre.\u003c\/p\u003e\u003cp\u003eOTTI BERGER (1898–1944) was one of the most important textile designers of the 20th century. Born in Zmajevac, in the Austro- Hungarian Empire, present-day Croatia, she studied in Zagreb and from 1927 at the Bauhaus in Dessau. Leaving her teaching post at the Bauhaus, she set up her own business in Berlin in 1932 to design fabrics for modern interiors, but was banned from working due to her Jewish heritage in 1936. Attempts to escape to England and the USA failed. She was deported from Croatia to Auschwitz and was murdered there in 1944.\u003c\/p\u003e\u003cp\u003eIn cooperation with the Bauhaus Archive Berlin, visual artist and art historian JUDITH RAUM (*1977) has conducted intensive research in European and North American archives to complete the first comprehensive study of Berger’s scattered estate.\u003c\/p\u003e","brand":"Hatje Cantz Verlag","offers":[{"title":"Default Title","offer_id":53047731224919,"sku":"9783775755009","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9783775755009.jpg?v=1773868085"},{"product_id":"danish-textile-prints-100-years-of-craft-and-design-kirsten-toftegaard","title":"Danish Textile Prints: 100 Years of Craft and Design \/ Kirsten Toftegaard","description":"\u003cp\u003eFull of vivid patterns and lively designs, this compact clothbound gem is a delightful journey through Danish fabric prints from the 1920s to the present\u003c\/p\u003e\u003cp\u003eThe distinct craft of textile printing has played a significant role in defining the internationally renowned Danish modernism movement. Beyond playing with colors and repeating motifs, textile printing is also a tradition that embraces poetry and humor. This volume tells the story of the craft's diversity, highlighting its rich history and artistic significance. At the beginning of the 20th century, the craft of printing on fabric had nearly been forgotten in Denmark. However, by the late 1920s, it was revived as an artisanal practice, primarily a women's craft―something it largely remains today.\u003cbr\u003eThe techniques of textile printing allow for the creation of a vast array of patterns and motifs. These countless possibilities are evident in many everyday items, from clothing to furniture. This handsome, clothbound book explores the history and techniques of the craft, spanning from the early attempts of Danish artisans to transfer patterns and motifs using printing blocks to screenprinting, still practiced in independent workshops, as well as digital prints produced either industrially or on a jet-ink printer.\u003cbr\u003eBased on the extensive collection of printed fabrics from the Designmuseum Danmark, the book highlights a wide range of modernist textile printers, including Marie Gudme Leth, Helga Foght, Ruth Hull, Dorte Raaschou, Ingeborg Cock-Clausen, Axel Salto and Grete Ehs Østergaard, alongside more recent works by a selection of contemporary textile artists.\u003cbr\u003eKirsten Toftegaard is the head of the fashion and textile collection at Designmuseum Danmark.\u003c\/p\u003e","brand":"Strandberg Publishing","offers":[{"title":"Default Title","offer_id":53047732601175,"sku":"9788792894076","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9788792894076.jpg?v=1773868126"},{"product_id":"happy-victims-kyoichi-tsuzuki","title":"Happy Victims \/ Kyoichi Tsuzuki","description":"\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eBetween 1999 and 2006, before fast fashion and social media changed the world forever,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKyoichi Tsuzuki\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epublished\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e87 instalments of his Happy Victims series\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the fashion magazine\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eRyuko Tsushin\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e. In cramped quarters across Tokyo, these anonymous disciples joyously detailed the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eritual and the sacrifice of their brand-name obsessions\u003c\/strong\u003e. A Buddhist monk with a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eComme des Garçons\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshopping habit, an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlexander McQueen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecollector listening to neighbours through paper-thin walls—photographed at home, their collections before them, Kyoichi’s anti-heroes exist in parallel to the fashion universe of fame, fantasy, and glamour.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eHappy Victims\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003ewas first published in book form in 2008. Long out of print, this edition follows\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eApartamento’s reissue of Kyoichi’s earlier seminal work,\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-contrast=\"none\"\u003e\u003cem\u003eTokyo Style\u003c\/em\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.apartamentomagazine.com\/product\/tokyo-style-kyoichi-tsuzuki-book\/\"\u003e\u003cstrong\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003cspan data-contrast=\"auto\"\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"TextRun SCXW157767869 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW157767869 BCX0\"\u003eThe new hardcover design comes with an updated foreword by the author, Japanese photographer Kyoichi Tsuzuki, and an introduction by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIsabella Burley of Climax Books\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW81612969 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\"\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eWhile the cover and belly band have been completely reworked, in collaboration with designer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHan Gao\u003c\/strong\u003e, the book’s interior\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003emaintains\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ea simple, documental format:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eone happy victim per spread\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eKyoichi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003e’s photos supplemented by a short commentary on the individual and his or her daily schedule.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eN\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eot\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003etypically\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003emembers of the leisure class, the goths, Lolitas, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003estringent Margiela fans\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emust also go to work and find time to care for their clothes. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003eAbout \u003cmeta charset=\"utf-8\"\u003eKyoichi Tsuzuki\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props=\"{}\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003eA Tokyo native, Kyoichi Tsuzuki is an award-winning photographer and a former editor at such iconic publications as\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003ePopeye\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003e\u003cspan\u003e \u003c\/span\u003eBrutus\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e. He received the 1996 Ihei Kimura Award for his first photography exhibition,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"none\"\u003eRoadside Japan\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"none\"\u003e, and has since shown work at the White Cube Gallery, London, MUDAM Luxembourg, Galerie Da-End, and more. Kyoichi is also the author of \u003cem\u003eTokyo Style\u003c\/em\u003e, \u003c\/span\u003e\u003cspan data-contrast=\"none\"\u003ea cult classic reissued by Apartamento in 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003eAbout Isabella Burley\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props=\"{}\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003eIsabella Burley founded Climax Books in London in 2020 as a home for rare editions, adding a New York outpost in 2024. At 17, she started on the shop floor of Dover Street Market with Comme des Garçons, then later served as editor-in-chief for\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eDazed \u0026amp; Confused\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003efrom 2015 to 2021. Additional appointments include Helmut Lang and Acne Studios.\u003c\/span\u003e\u003c\/p\u003e","brand":"Apartamento Publishing S.L.v","offers":[{"title":"Default Title","offer_id":53156018159959,"sku":"9788409732692","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9788409732692.jpg?v=1774862801"},{"product_id":"anni-albers-abstractions-concretes-une-histoire-textile-de-la-modernite-ida-soulard","title":"Anni Albers : abstractions concrètes: Une histoire textile de la modernité \/ Ida Soulard","description":"\u003cp\u003eNée à Berlin en 1899, Anni Albers, artiste, designer et éducatrice, s'est rapidement heurtée aux préjugés de genre qui régnaient dans l'Allemagne des années 1920. Pourtant, elle sut tirer parti de toutes les contraintes pour en faire une force au service de la construction d'un art qu'elle rêvait intemporel. Entre deux continents et deux modernités, du Bauhaus, en Allemagne, au Black Mountain College aux États-Unis, elle a révolutionné l'art du tissage et redéfini les frontières entre l'art et le design. Encore liées, au début du XXe siècle au travail des femmes et à ce qu'on pourrait nommer une « sensibilité féminine », artisanat domestique, art d'ameublement, d'ornement et de surface, les pratiques de tissage reposent sur des systèmes de règles et de codes. Anni Albers invente un langage tactile-textile, abstrait, fonctionnel et sensuel, échappant aux classifications traditionnelles.\u003cbr\u003eCette première monographie d'ampleur consacrée à l'œuvre textile d'Anni Albers apporte un point de vue nouveau sur une histoire de l'art moderne au prisme des créations et pratiques textiles. Pourquoi s'intéresser aujourd'hui à cette histoire moderne des formes textiles ? Précisément parce qu'à une époque de profondes transformations culturelles elles offrent une multiplicité de bifurcations possibles et de chemins historiques non empruntés. À la fois portrait détaillé d'une artiste majeure du XXe siècle et essai dense et charpenté, ce livre constitue une porte d'entrée essentielle pour quiconque souhaite explorer l'univers fascinant d'Anni Albers, sa contribution à l'art et au design moderne, et la richesse de son héritage artistique.\u003c\/p\u003e","brand":"Presses du Réel","offers":[{"title":"Default Title","offer_id":53162843308375,"sku":"9782378964467","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/IMG_8725.jpg?v=1784302135"},{"product_id":"costumes-enquete-sur-le-vetement-lhabit-la-parure-dans-le-fonds-de-livres-anciens-de-lisdat-valerie-vernet-anne-jourdain","title":"Costumes: Enquête sur le vêtement, l'habit, la parure dans le fonds de livres anciens de l'isdaT, Valérie Vernet, Anne Jourdain","description":"\u003cp\u003ePour cette publication, qui fait suite à Formes et couleurs, Valérie Vernet et Anne Jourdain ont axé leur choix sur la représentation des vêtements, parures, habits de « tous les temps et de tous les pays », dessinés et gravés en noir ou en couleur. Source d'inspiration formelle, source de réflexion sur la conception historique occidentale des « anciens peuples », les graphistes de Stéréo Buro et le photographe Jules Séverac ont donné vie à cette nouvelle suite iconographique.\u003c\/p\u003e","brand":"Institut superieur des arts et du design de Toulouse","offers":[{"title":"Default Title","offer_id":53162846978391,"sku":"9782356990617","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782356990617.jpg?v=1774888833"},{"product_id":"diasporic-threads-black-women-fibre-and-textiles-sharbreon-plummer","title":"Diasporic Threads: Black Women, Fibre and Textiles \/ Sharbreon Plummer","description":"\u003cp dir=\"ltr\"\u003eAn invigorating survey of Black women textile artists, celebrating their vital contributions to cultural and social histories through fibre-related mediums. \u003c\/p\u003e\n\u003cp\u003eHistorically ignored or overlooked in surveys of art history, Black women artists that work in fibre and textiles have often been further neglected – their artworks reduced to hobby or handiwork without proper consideration to their deeper significance. 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It is thus, not without irony, that the common definition of quality socks lies precisely in how little we take notice of its presence; a good pair of socks becomes one that is absent when worn on the feet...\"\u003c\/p\u003e\u003cp\u003e'Science of the Secondary: Socks’ is the eighth edition in the series of ongoing research conceived and developed by Atelier HOKO.\u003c\/p\u003e","brand":"Atelier HOKO","offers":[{"title":"Default Title","offer_id":53167089418583,"sku":"9789811107184","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9789811107184.webp?v=1774954111"},{"product_id":"poses-for-fashion-illustration-women-fashionary","title":"Poses for Fashion Illustration - Women, Fashionary","description":"\u003cp\u003ePoses for Fashion Illustration - Womens\u003c\/p\u003e\u003cp\u003ePoses for Fashion Illustration - Womens is the ultimate set of figure templates designed for developing fashion illustrations and sketches. This comprehensive collection includes a wide range of poses tailored for various occasions, dimensions, and body shapes, making it an invaluable resource for fashion designers. With precise proportions and beautiful figures, these templates are ready to transform your ideas into your greatest works.\u003c\/p\u003e\u003cp\u003eThe set is meticulously organized in a box, ensuring easy access to every pose. It includes 100 pose cards, 12 dividers, and a drawing guide, all neatly filed for convenience. This filing system allows designers to quickly find and use the exact pose they need, enhancing the efficiency of their workflow. The box format also makes it easy to carry and store, providing a practical solution for on-the-go designers.\u003c\/p\u003e\u003cp\u003eThe templates cater to every occasion, from casual wear to haute couture, athletic wear to maternity, and even plus-size fashion. They are versatile enough for designing jewelry, accessories, and technical drawings. 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The included drawing guide by fashion illustrator Connie Lim offers step-by-step demonstrations and tips for rendering stunning fashion illustrations, further aiding in the creative process.\u003c\/p\u003e\u003cp\u003eBy drawing smarter, not harder, designers can explore and enhance their array of designs with ease and efficiency.\u003c\/p\u003e","brand":"Fashionary","offers":[{"title":"Default Title","offer_id":53168996254039,"sku":"9789887711056","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9789887711056.jpg?v=1774973692"},{"product_id":"fashionary-bag-design-fashionary","title":"Fashionary Bag Design \/ Fashionary","description":"\u003cp\u003eBag Design by Fashionary\u003c\/p\u003e\u003cp\u003eBag Design by Fashionary is an indispensable resource for bag and accessories designers, offering over 360 bag styles that span from ancient to contemporary designs. 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It covers everything from materials and construction techniques to brand positioning and industry fairs. This section is particularly valuable for understanding the intricate aspects of bag making, material selection, and care, providing designers with a well-rounded knowledge base.\u003c\/p\u003e\u003cp\u003eIn the Bag Template Collections section, the book offers over 60 popular bag templates in multi-angle views, ranging from clutches to luggage bags. These templates have been professionally modified to ensure the best tracing experience, allowing designers to accurately and efficiently develop their design ideas. The multi-angle views provide a comprehensive perspective, making it easier to visualize and execute complex designs.\u003c\/p\u003e\u003cp\u003eBag Design by Fashionary opens up endless possibilities for designers. By providing solid foundational templates, the book enables designers to quickly and effectively build upon their creative ideas. 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Quand ils sont encore nécessaires, ils peuvent désormais être des idiots.\u003c\/p\u003e\n\u003cp\u003eLa bande dessinée est un média dont le développement est étroitement corrélé au développement des industries médiatiques et aux progrès techniques en matière de reproduction, de fabrication et de diffusion. Ses auteurs demeurent cependant épris ou nostalgiques des techniques artisanales de son âge d'or, quand elle était encore vivante: incunables, photocopie, linogravure ou risographie. Ce dernier procédé a été choisi pour sa reproduction.\u003c\/p\u003e","brand":"La Cinquième Couche","offers":[{"title":"Default Title","offer_id":53306305151319,"sku":"9782390081104","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/brother.jpg?v=1776178743"},{"product_id":"les-yeux-du-seigneur-aurelie-william-levaux","title":"Les yeux du seigneur \/ Aurélie William Levaux","description":"\u003cp\u003eDerrière les délicats ourlements brodés et sous la couture, il y a l’hymen déchiré et le placenta. Aurélie William Levaux tisse ses rêves d’interrogations douloureuses.\u003c\/p\u003e","brand":"La Cinquième Couche","offers":[{"title":"Default Title","offer_id":53306585579863,"sku":"9782930356877","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782930356877.jpg?v=1776181493"},{"product_id":"menses-ante-rosam-aurelie-william-levaux","title":"Menses Ante Rosam \/ Aurélie William Levaux","description":"\u003cp\u003e\u003cem\u003eMenses Ante Rosam\u003c\/em\u003e est le récit d'une genèse. Les mois avant Rosa, Aurélie Levaux a vu son corps se transformer, son ventre se déformer, son homme désorienté. Elle nous fait part de sa joie, de ses pleurs, de ses doutes, des très riches heures d'une grossesse. 50 dessins et broderies sur tissus et sur papier nous livrent un peu du mystère de l'enfantement, 50 broderies et dessins raconteront à Rosa l'attente impatiente de sa venue au monde.\u003c\/p\u003e","brand":"La Cinquième Couche","offers":[{"title":"Default Title","offer_id":53306585547095,"sku":"9782390080947","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782390080947.jpg?v=1776181492"},{"product_id":"anni-albers-notebook-1970-1980-anni-albers-brenda-danilowitz","title":"Notebook 1970-1980 \/ Anni Albers","description":"\u003cp\u003eA superb facsimile of the only known notebook of legendary artist Anni Albers, this publication offers insight into the methodology of a modern master.\u003c\/p\u003e\u003cp\u003eBeginning in 1970, Anni Albers filled her graph-paper notebook regularly until 1980. This rare and previously unpublished document of her working process contains intricate drawings for her large body of graphic work, as well as studies for her late knot drawings. The notebook follows Albers's deliberations and progression as a draftsman in their original form. It reveals the way she went about making complex patterns, exploring them piece by piece, line by line in a visually dramatic and mysteriously beautiful series of geometric arrangements.\u003c\/p\u003e\u003cp\u003eAn afterword by Brenda Danilowitz, Chief Curator of The Josef and Anni Albers Foundation, contextualizes the notebook and explores the role studies played in the development of her work.\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":53371015364951,"sku":"9781941701744","price":44.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/IMG_8741.jpg?v=1784303127"},{"product_id":"anna-thommesen-weavings-dorthe-aagesen-anders-gaardboe-jensen-anna-thommesen-lynne-cooke-mark-mussari","title":"Anna Thommesen: Weavings \/ Dorthe Aagesen, Anders Gaardboe Jensen, Anna Thommesen, Lynne Cooke, Mark Mussari","description":"\u003cp\u003eSpotlighting an under-recognized textile artist whose minimalist rugs helped shape the course of modernist design within Denmark and beyond\u003c\/p\u003e\u003cp\u003eThis book is the first publication in English on the Danish weaver Anna Thommesen (1908–2004), who is best known for her minimalistic, geometric rugs. Although Thommesen has long been an established name in Danish modernism, the global significance of her work has never been fully explored until now.\u003cbr\u003eLavishly illustrated, this anthology presents a large portion of Thommesen's oeuvre, examining it from different perspectives. The book offers a close look at Thommesen's creative practice, delving into the connection of her work to nature, and examines her worldview and artistic position in the light of biographical material and other sources. Special attention is paid to Thommesen's large-scale public commissions, including her weavings for the Danish Parliament (1968–72) and for Roskilde Cathedral (1975–77). The book also addresses the teaching she undertook for the Jutland Art Academy from 1965 to 1972, where she headed a weaving school, which became a unique environment for textile art in Denmark. Finally, the book takes a fresh look at Thommesen's position in art history, particularly in relation to both Danish modern design and the field of 20th-century textile art.\u003c\/p\u003e","brand":"Strandberg Publishing","offers":[{"title":"Default Title","offer_id":53371113210199,"sku":"9788792894762","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/IMG_8731.jpg?v=1784302135"},{"product_id":"lidee-de-mode-tome-2-un-devenir-art-emilie-hammen","title":"L'idée de mode: Tome 2 \/ Un devenir-art, Emilie Hammen","description":"\u003cp\u003eComment la mode est-elle parvenue à accéder à une forme de reconnaissance en tant que création artistique ? Le deuxième tome de L’Idée de mode retrace les étapes de son devenir-art, notamment à travers l’ascension du modèle commercial – alors inédit – de la haute couture. Dans cette époque charnière que représente le passage du XIXe siècle, l’étude des discours portés sur la mode révèle des dynamiques originales : en pleine période d’expansion coloniale, elle s’efforce alors d’incarner l’identité nationale et devient à ce titre un matériau de propagande propice à l’exportation, une marchandise artistique tout autant qu’un outil diplomatique. C’est précisément ce qui fascine une génération de couturiers-créateurs qui assimilent radicalement les enjeux de l’art moderne : en élevant le tailleur au rang d’artiste, ils repensent structurellement leurs pratiques comme leurs objets. Comme dans un effet de miroir, des artistes, nés avec le siècle et la conviction que le vêtement représente un champ d’exploration plastique font écho à ces préoccupations. Tous se retrouvent autour d’un appétit pour le « nouveau » dont les implications sont désormais partagées entre peinture et couture. Au nom d’une déhiérarchisation des domaines d’expression artistique, les œuvres réinventent leurs contours et leurs supports : les objets et les univers que la mode composent s’introduisent dans les espaces consacrés de l’art. Galeries et boutiques jouent également de leurs expositions et de leurs marchandises. Mise en espace, la mode semble, au cours des premières décennies du XXe siècle, se disperser, si ce n’est se dématérialiser. Mais plus qu’une absence de support ou une parfaite désincarnation, elle se fait multiple : l’utilisation systématique de la photographie dans la presse comme les techniques d’impression – de la toile au papier – dès la fin des années 1910 en assurent une diffusion sans précédent. Cet ouvrage fait suite au premier tome de la série qui étudiait l’émergence de l’idée de mode depuis la période postrévolutionnaire jusqu’à l’âge des avant-gardes du début du XXe siècle.\u003c\/p\u003e","brand":"B 42","offers":[{"title":"Default Title","offer_id":53371501478231,"sku":"9782494983427","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782494983427.jpg?v=1776867659"},{"product_id":"les-savoir-faire-de-la-mode-tome-2-geographies-emilie-hammen","title":"Les savoir-faire de la mode: Tome 2 : géographies \/ Emilie Hammen","description":"\u003cp\u003eAprès un premier volume consacré aux sources paru en 2023, ce second ouvrage poursuit une réflexion critique et circonstanciée de la notion de savoir-faire en s’attachant à ses territoires et ses déplacements. Mobilisant des personnalités issues du monde de la mode, intervenant aussi bien dans le cadre académique que celui des ateliers, cette série d’ouvrages participe au décloisement des disciplines. Par une approche plurielle de la géographie, l’ensemble des contributeurs offre autant d’éclairages des traditions artisanales et industrielles, des gestes, matériaux et acteurs qui définissent les cultures de la fabrication de la mode, au fil des plans et des itinéraires. De l’exportation des biens à l’immigration des personnes, de l’implantation des ateliers à leur délocalisation, la mécanique des cartographies offre des clés de lectures inédites pour appréhender les matières et les métiers de la mode, à l’échelle d’un atelier ou d’une rue, d’un quartier comme de la planète. Les contributions rassemblées ici évoquent aussi bien l’implantation des artisans-passmentiers au XIXe siècle, que le commerce du textile en Inde en passant par l’artisanat du cheveu au XXIe siècle. Émilie Hammen rassemble ainsi des voix permettant de mieux situer ce qui rassemble ces multiples manières de voir la mode et ses savoir-faire.\u003c\/p\u003e","brand":"B 42","offers":[{"title":"Default Title","offer_id":53371502690647,"sku":"9782494983090","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782494983090.jpg?v=1776867660"},{"product_id":"les-savoir-faire-de-la-mode-tome-3-taxonomies-emilie-hammen","title":"Les savoir-faire de la mode: Tome 3, Taxonomies \/ Emilie Hammen","description":"\u003cp\u003eCe troisième volume de la série consacrée aux savoir-faire de la mode interroge les logiques de classification et de hiérarchies dans la longue histoire des métiers du vêtement et de ses accessoires. Si plumassiers ou bijoutiers représentent encore aujourd’hui avec éclat cette expertise technique au service de la création, nombre de gestes et outils demeurent méconnus ou dévalués. Cet ouvrage collectif, qui rassemble historiennes et historiens de l’art et des techniques, artisans, designers mais aussi restaurateurs et commissaires d’exposition, procède à un inventaire de la diversité de ces pratiques. Il propose notamment de reconsidérer certaines techniques habituellement associées à la sphère domestique comme les reprises, réparations et retouches. C’est également au plus près des objets que l’on apprécie la complexité et l’expertise des métiers liés à l’imitation ou au trompe-l’œil, qui nécessitent une ingéniosité toute égale aux pratiques les plus nobles. En considérant les tensions et complémentarités entre travail de la main et de la machine, l’ouvrage invite ainsi à dépasser ces oppositions souvent trop catégoriques en revenant sur les liens entre confection et haute-couture. Avec une attention portée à la pratique de l’exposition et aux logiques d’archivage, espaces par excellence des logiques taxonomique, l’ouvrage propose d’explorer à nouveaux frais la variété des savoirs qui font la mode ― celle du quotidien ou d’exception, d’hier à aujourd’hui. Cet ouvrage est le résultat des activités menées dans le cadre du séminaire de recherche de la chaire Chanel et le 19M des savoir-faire de la mode à l’Institut français de la mode.\u003c\/p\u003e","brand":"B 42","offers":[{"title":"Default Title","offer_id":53371502756183,"sku":"9782494983366","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782494983366.jpg?v=1776867660"},{"product_id":"les-savoir-faire-de-la-mode-tome-1-sources-emilie-hammen","title":"Les savoir-faire de la mode: Tome 1, Sources \/ Emilie Hammen","description":"\u003cp\u003eLes textes composant cet ouvrage traitent de divers enjeux liés aux savoir-faire dans le design de mode, en posant pour ce premier tome la question primordiale des sources. Alors que la mode regroupe un vaste ensemble de métiers et d’acteurs, et autant d’histoires singulières, comment penser cet objet d’étude face à la diversité des pratiques qui le composent ? Plisseurs, tailleurs, brodeurs ou autres modélistes, souvent anonymes, animent les mondes de la mode et leurs cultures techniques. Ce volume aborde les traditions anthropologique et historique existantes en la matière, mais questionne aussi les renouvellements méthodologiques actuels permettant d’appréhender ce champ de recherche dynamique peu exploré. La question des archives, immanquablement confrontée à l’immatérialité du geste, est au centre de cette étude. Comment s’étudient, se conservent et se transmettent ces savoirs techniques qui sont aussi des savoirs du corps  ? Les contributions réunies ici soulignent la variété des disciplines qui se rencontrent autour de la notion de savoir-faire. En partant de l’objet, des sources écrites et modes d’emploi qui le documentent, en s’intéressant à un cinéma qui raconte le travail, à la photographie qui en fixe les étapes et en révèle les protagonistes, les auteurs de cet ouvrage, issus du milieu académique ou professionnel, proposent autant d’éclairages et de pistes d’étude originales. De la conservation des archives dans une grande maison de broderie telle que l’Atelier Montex en passant par la captation du geste technique chez un chapelier ou l’inventaire des métiers de mode oubliés c’est, de l’atelier au musée, une approche panoramique qui s’esquisse. Émilie Hammen rassemble ici des voix permettant de mieux comprendre ce qui rassemble ces multiples manières de faire la mode et d’en transmettre les savoir-faire. Cet ouvrage est le résultat des activités menées dans le cadre du séminaire de recherche de la chaire Chanel et le 19M des savoir-faire de la mode à l’Institut français de la mode.\u003c\/p\u003e","brand":"B 42","offers":[{"title":"Default Title","offer_id":53371590574423,"sku":"9782494983007","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782494983007.jpg?v=1776869210"},{"product_id":"lidee-de-mode-tome-1-une-nouvelle-histoire-emilie-hammen","title":"L'idée de mode: Tome 1, Une nouvelle histoire \/ Emilie Hammen","description":"\u003cp\u003eCet ouvrage propose d’écrire l’histoire de la mode sous un angle inhabituel, sans se focaliser sur ses créateurs ou ses pièces, mais en analysant les discours qui, sous diverses formes, ont permis à la mode de se constituer comme discipline à part entière. En cela, L’Idée de mode déjoue les attentes communément accolées aux publications sur le sujet et mêle analyse de textes, histoire, et études visuelles dans le but d’intégrer cette discipline au champ plus large du design. Émilie Hammen replace ainsi la mode dans une histoire des idées qui prend sa source dans la période postrévolutionnaire en France, pour s’achever avec l’âge des avant-gardes au début du XXe siècle. À travers ce long XIXe siècle, se dessine une historiographie qui s’attache avant tout à identifier certains énonciateurs – ceux qui parlent et définissent ainsi successivement la mode au cours de cette période. En étudiant ces acteurs ainsi que le jeu de leurs apparitions et de leurs disparitions, l’autrice repense les tournants et les ruptures traditionnellement consacrés par les changements des silhouettes qui accompagnent souvent les mutations des régimes politiques. À la modification de la forme d’une manche ou d’une longueur de jupe, cette étude propose de substituer le passage du littérateur au tailleur, celui de l’ingénieur au créateur. Il s’agit ainsi moins de considérer la mode comme manifestation matérielle ou visuelle, que comme un ensemble de discours produits et pris en charge par des groupes socio-professionnels différents. Sans pour autant renoncer aux sources historiographiques qui ont composé les belles heures des histoires du costume, cet ouvrage entreprend plutôt de les éclairer d’un jour nouveau.\u003c\/p\u003e","brand":"B 42","offers":[{"title":"Default Title","offer_id":53371848589655,"sku":"9782490077861","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782490077861.jpg?v=1776870795"},{"product_id":"philosophie-du-vetement-casimiro-en-frances-oscar-wilde","title":"Philosophie Du Vêtement \/ Oscar Wilde","description":"\u003cp\u003eLe grand dandy parle de mode et de vêtements.  \u003c\/p\u003e\u003cp\u003eTexte inédit en français   \" Être bien habillé est convenable et nécessaire, avoir un but dans la vie, non.\"   \" La mode est une forme de laideur si intolérable qu'il faut en changer tous les six mois.\"\u003c\/p\u003e","brand":"Casimiro","offers":[{"title":"Default Title","offer_id":53371848622423,"sku":"9788416868957","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9788416868957.jpg?v=1776870795"},{"product_id":"book-9781036903558-tilly-du-buisson","title":"Needlework, From Domestic Oppression to Artistic Expression \/ Tilly Du Buisson","description":"\u003cp\u003eThis book explores whether feminist artists can reclaim needlework, historically linked to women's oppression, as a tool for empowerment. By tracing the historical shift of needlework from a male-dominated craft to a feminised domestic practice, it highlights how this art became undervalued. Drawing on feminist theorists like Simone de Beauvoir, Judith Butler, and Amelia Jones, the essay examines how artists such as Tracey Emin and Louise Bourgeois use needlework to challenge traditional gender norms, blending feminine practices with symbols of strength. It discusses the complex nature of reclaiming practices that were once oppressive, considering whether engaging in needlework today perpetuates or transforms gender stereotypes. Ultimately, it argues that needlework, as a subversive medium, can be a space for resistance and connection, offering a platform to address broader issues like labour conditions and gender fluidity.\u003c\/p\u003e","brand":"Rova","offers":[{"title":"Default Title","offer_id":53391588491607,"sku":"9781036903558","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9781036903558.webp?v=1777023496"},{"product_id":"hors-mode-francesco-masci","title":"Hors mode \/ Francesco MASCI","description":"\u003cp\u003e« Le discours sur la mode alterne le blâme moral et l’admiration béate. Mais, dans un cas comme dans l’autre, il se trompe. C’est un discours systématiquement hors sujet, où la mode n’est qu’un prétexte à divagations sur des réalités qui lui sont extérieures, les mœurs d’une société donnée ou l’état de santé de son économie. Bref, un discours où l’on parle de tout sauf de la mode elle-même. Ce n’est qu’en fixant le regard sur ce qui, dans un interminable feu d’artifice, apparaît pour disparaître aussitôt, qu’il devient possible de découvrir ce qu’est réellement la mode. De manière encore provisoire, celle-ci peut être définie par l’idée de catastrophe permanente. » Après les sphères de l’art, de la culture ou encore de la technique, Francesco Masci poursuit son étude des forces en acte dans la modernité occidentale, et s’attaque à un phénomène résolument moderne : la mode. Existant à la manière d’une totalité close, selon ses propres lois et ses propres codes, la mode ne se laisse subordonner ni au monde de l’art ni à celui de la morale. Elle n’existe finalement que pour elle-même, advient et meurt par elle-même, suivant sa temporalité propre, cyclique, rituelle, loin de toute représentation linéaire du temps. Extinction, apocalypse ou « fin de l’Histoire »? La mode constitue une résistance aussi inattendue que radicale aux visions eschatologiques, par ailleurs toujours mises en échec, d’un présent obsédé par l’avènement de sa propre fin.\u003c\/p\u003e","brand":"Allia","offers":[{"title":"Default Title","offer_id":53426396332375,"sku":"9791030417494","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9791030417494.jpg?v=1777373624"},{"product_id":"philosophie-de-la-mode-georg-simmel-unknown-author","title":"Philosophie de la mode \/ Georg Simmel","description":"« Qu'on ne puisse avancer la moindre raison pratique, esthétique ou une quelconque considération d'utilité pour expliquer l’apparition de l'immense majorité des réalisations de la mode, voilà sans doute ce qui établit mieux que toute autre chose le fait que la mode est un pur produit des besoins sociaux. Alors qu'en général nos vêtements, pour prendre cet exemple, sont adaptés à nos besoins pratiques, pas une once d'utilité ne préside aux décisions par lesquelles la mode les façonne : la jupe peut se porter ample ou droite, la coiffure haute ou large, la cravate noire ou colorée. Au nom de leur modernité, nous sommes conduits à porter des choses parfaitement hideuses, comme si c'était là pour la mode une manière de faire la preuve de son pouvoir. »Stilettos, sweat en néoprène Marc Jacobs, mini-short fluide en mousseline, chignon bas. La mode a ceci d'original qu'elle ne confère nulle utilité pratique aux choses utiles, en l'occurrence se chausser et se protéger du froid. Elle est fondamentalement arbitraire. Et c'est ainsi qu'elle exerce pour Simmel son empire. Elle n'est pas un besoin vital mais un besoin social. Ou, plutôt, elle résulte de deux besoins sociaux contradictoires : l'instinct d'imitation et l'instinct de différenciation. L'homme manifeste dans le choix de ses vêtements son appartenance à un groupe. Il s'adapte à travers eux au rôle que lui assigne la communauté dans laquelle il vit. Mais dans le même temps, il ressent le besoin de se différencier, d'accuser au cœur de la société son individualité. Adopter un style d'une autre communauté, c'est d'emblée se détacher de son groupe d'origine. En raison de la variété de ses contenus, la mode d'aujourd’hui affirme sa singularité par rapport à celles d'hier et de demain. Mais elle le fait d'autant mieux qu'elle marque ainsi la différence de classes. D'après Simmel, la classe moyenne serait la plus sensible à ses caprices. Prompte au changement, elle se reconnaît dans ce qui est le moteur de la mode : créer un présent sans cesse mouvant, comme toute marchandise.","brand":"ALLIA","offers":[{"title":"Default Title","offer_id":53426396397911,"sku":"9791030423709","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9791030423709.jpg?v=1777373624"},{"product_id":"les-artistes-et-le-textile-anne-marie-minella-jean-yves-bosseur","title":"Les artistes et le textile \/ Anne-Marie Minella, Jean-Yves Bosseur","description":"\u003cp\u003eDepuis le début du XXIe siècle, les artistes qui travaillent fil et tissus ont su s'affirmer dans le monde de l'art contemporain. Ils sont présents dans les grandes manifestations internationales et des foires leur sont dédiées sur tout le continent américain, en Europe aussi bien qu'en Asie.\u003cbr\u003eL'ouvrage évoque nombre d'artistes qui se sont emparés de ce medium depuis la fin du XIXe siècle de manière innovante et singulière et dresse le portrait de créateurs qui l'ont choisi pour accompagner leur démarche politique, économique, sociale ou écologique. Il montre que l'art textile reste subversif : il efface la frontière entre beaux-arts, arts appliqués et design, entre tradition et modernité. Il met en valeur les identités et les cultures « périphériques ». En questionnant les catégories du « féminin » et du « masculin », il brouille les genres et met à mal les conventions.\u003c\/p\u003e","brand":"Presses du Réel","offers":[{"title":"Default Title","offer_id":53428502102359,"sku":"9782378964313","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0995\/6025\/9927\/files\/9782378964313.jpg?v=1777381586"},{"product_id":"mon-abecedaire-queer-lison-ferne","title":"Mon abécédaire Queer \/ Lison Ferné","description":"\u003cp\u003eL'abécédaire queer de Lison Ferné se veut une exploration du corps masculin, inspirée de la haute couture et de la mode fétichiste. En reprenant les codes classiques de l'abécédaire, l'autrice questionne l'identité de genre.«À travers cet alphabet, j'ai voulu représenter des beautés douces et flamboyantes, qui s'opposent aux canons virils traditionnels. 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Il ne me regarde pas. Je lui remets mon passeport. « Pourquoi êtes-vous en Norvège ? » me demande-t-il en feuilletant les pages. « Pour travailler », je lui réponds simplement. « Quel genre de travail ? » « La recherche », je rétorque de manière évasive, m'en délectant (un privilège, c'est certain). Il exige des précisions : « Quel genre de recherche ? » Je crache enfin le morceau : « \u003c\/em\u003eFashion research\u003cem\u003e ». Il répète le\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eF-word\u003cem\u003e\u003cspan\u003e \u003c\/span\u003ealors que ses yeux rencontrent enfin les miens. Norvège et mode. Mode et recherche. Je n'arrive pas à savoir quels mots l'ont troublé. Tous peut-être.\u003cbr\u003eLa  mode  avec  un  grand  M,  c'est  Paris.  La  recherche, c'est la science. Quel est l'intérêt d'étudier quelque chose d'aussi frivole ? Peut-on vraiment penser par la mode ? Oui, monsieur, ma subjectivité en dépend. Et c'est comme ça que je paie mon loyer. 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A journey through time, memory and culture, Tracing the Lines also tells the larger story of how geometric patterns from West Africa made their way across the ocean to the Americas during the transatlantic slave trade.\u003c\/p\u003e\u003cp\u003eIn 2022 Jungerman received the A.H. Heineken Prize for Art. From November 20, 2021 – April 10, 2022, he was the subject of a career survey show at the Stedelijk Museum Amsterdam, titled 'Remy Jungerman. Behind the Forest'. In 2019 he represented the Netherlands at the 58th Venice Biennale. In 2008 he received the Fritschy Culture Award from the Museum het Domein, Sittard, the Netherlands.\u003c\/p\u003e\u003cp\u003eHe is represented by Goodman Gallery in London and Johannesburg and Cape Town in South Africa; Fridman Gallery in New York City; and Galerie Ron Mandos in the Netherlands. 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